The setting of Thai Jones’s wonderful book will be all too familiar to those involved in direct action politics: a liberal urban administration, a radical protest movement, disparities of wealth deepened by economic crisis. A series of incidents sets off a new phase of demonstrations, with demands from the city’s elites for a restoration of order. The radical protests become disruptive, challenging the “progressive” administration’s commitment to free speech and the right to protest. Strident radicals, bent on revolution over reform, become objects of fascination for the press, and a political tennis ball for the city’s governing class. As it happened in 1970 and 2011, so it was in 1914, New York City’s “year of anarchy” in Thai Jones’s talented telling. The parallels to the protest waves of the past, particularly the late 1960s and early ’70s, and the recent Occupy phenomenon, are obvious, and most reviewers of Jones’s fine work have highlighted these connections. Jones himself makes this history relevant to our own times, but perhaps not in the more obvious ways.
Hell’s Kitchen is among Manhattan’s most storied and studied neighborhoods. A working-class district situated next to the West Side’s middle- and upper-class residential districts, it has long attracted the focus of artists and urban planners, writers and reformers. Now, Joseph Varga takes us on a tour of Hell’s Kitchen with an eye toward what we usually take for granted: space, and, particularly, how urban spaces are produced, controlled, and contested by different class and political forces.