The coup against the Bolivian government under Evo Morales came straight out of the latest political-military manuals of the U.S. imperial state. These manuals provide instructions on how systematically to undermine the reputation of a popular, elected leader with accusations of dictatorship, corruption, and various other forms of character assassination in order to soften support on the left. Moreover, these manuals provide step-by-step instructions on how to prepare the political and military bases of a coup. | more…
From the mid-1960s to the late 2000s, the number of people locked in U.S. prisons and jails, and forced onto parole or probation, increased from less than eight hundred thousand to more than seven million. From the beginning, this explosive growth, known commonly as mass incarceration, has been about containing, stigmatizing, and exploiting the poorest sectors of the working class. While an important prison reform movement has been underway for many years, private forces have attempted to co-opt this movement and have implemented and profited from alternative forms of mass coercion proliferating throughout society. | more…
Why, asks Pem Davidson Buck, is punishment so central to the functioning of the United States, a country proclaiming “liberty and justice for all”? The Punishment Monopoly challenges our everyday understanding of American history, focusing on the constructions of race, class, and gender upon which the United States was built, and which still support racial capitalism and the carceral state. After all, Buck writes, “a state, to be a state, has to punish … bottom line, that is what a state and the force it controls is for.” | more…
In Bill Fletcher Jr.’s first novel, The Man Who Fell from the Sky, the sleepy Cape Cod town of Osterville has blood on its hands. In this murder mystery, Fletcher digs through layers of racism in Southern Massachusetts to uncover more than the killer’s identity. The novel compellingly exposes the racism of society, turning its victims against each other. | more…
New issue of Monthly Review! If there is one thing that is clear about the economic situation in the mature capitalist economies, as we write these notes in mid-August 2019, it is that the financial world is increasingly running scared and looking for safe havens, worrying about the storm clouds ahead. There is now little doubt that the world economy is on the verge of a recession after a long sluggish recovery from the Great Financial Crisis of 2007-09. In itself this should not give occasion to surprise. In this instance, however, there lurks a bigger fear, the possibility of a financial Armageddon on the level of the Great Financial Crisis of 2008—or worse. | more…
In the late 1960s, the North American women’s liberation movement was reaching a highpoint of activity, its militancy complemented by a flourishing literature. This was the environment into which Margaret Benston’s 1969 Monthly Review essay, “The Political Economy of Women’s Liberation,” struck like a lightning bolt. At the time, many in the movement were describing women’s situation in terms of sociological roles, functions, and structures—reproduction, socialization, psychology, sexuality, and the like. In contrast, Benston proposed an analysis in Marxist terms of women’s unpaid labor in the family household. In this way, she definitively shifted the framework for discussion of women’s oppression onto the terrain of Marxist political economy. | more…
Margaret Benston’s “The Political Economy of Women’s Liberation” appears as both a return to the past and, at the same time, if not a “watershed,” as described by Peter Custers, certainly a new turn. On the one hand, she reiterated the classic Marxist-Leninist argument concerning the precapitalist, premarket character of domestic work. On the other, she so strongly insisted on the importance of this work for the stability and perpetuation of the capitalist system that she not only anticipated some of the theses later argued by theorists in the Wages for Housework Campaign, but often fell into apparent contradictions. | more…
Gender is not just about women; it is about the social relationship between men and women and the dialectical, reciprocal, and cultural construction of femininity and masculinity. Recognition of a unique historical experience concerning gender informs the perspectives of African Americans of various political persuasions. This history incorporates a land of origin with certain common principles about gender and family. It also encompasses the African-American experience in the United States where the denial of many “protections” offered by gender roles and indeed sometimes inversion of such roles was a means of maintaining control. Hence asserting the right to assume gender-based roles of husband, father, wife, and mother paradoxically was an act of resistance. The manner in which African-American people have envisioned relationships of gender in light of that history has expressed itself in markedly different forms. | more…
The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Gerald Horne’s Jazz and Justice: Racism and the Political Economy of the Music examines the economic, social, and political forces that shaped this music into a phenomenal U.S.—and Black American—contribution to global arts and culture. | more…
