Cloth ISBN: 978-1-58367-475-8
Life in the United States today is shot through with uncertainty: about our jobs, our mortgaged houses, our retirement accounts, our health, our marriages, and the future that awaits our children. For many, our lives, public and private, have come to feel like the discomfort and unease you experience the day or two before you get really sick. Our life is a scratchy throat. John Marsh offers an unlikely remedy for this widespread malaise: the poetry of Walt Whitman. Mired in personal and political depression, Marsh turned to Whitman—and it saved his life. In Walt We Trust: How a Queer Socialist Poet Can Save America from Itself is a book about how Walt Whitman can save America’s life, too.
Marsh identifies four sources for our contemporary malaise (death, money, sex, democracy) and then looks to a particular Whitman poem for relief from it. He makes plain what, exactly, Whitman wrote and what he believed by showing how they emerged from Whitman’s life and times, and by recreating the places and incidents (crossing Brooklyn ferry, visiting wounded soldiers in hospitals) that inspired Whitman to write the poems. Whitman, Marsh argues, can show us how to die, how to accept and even celebrate our (relatively speaking) imminent death. Just as important, though, he can show us how to live: how to have better sex, what to do about money, and, best of all, how to survive our fetid democracy without coming away stinking ourselves. The result is a mix of biography, literary criticism, manifesto, and a kind of self-help you’re unlikely to encounter anywhere else.
Table of Contents
A Note on Editions of Whitman’s Poems
Introduction: Walt Whitman—A Poetic Comfort
1. Congratulations! You’re Dead!
2. Walt Whitman’s Credit Report Looks Even Worse than Yours
Interlude I: Was Walt Whitman Socialist?
3. With Walt Whitman, Making It Rain
Interlude II: Was Walt Whitman Gay?
4. Affection Shall Solve the Problems of Freedom
Conclusion: At Whitman’s Tomb
(Cover image of the 1848 Walt Whitman daguerreotype used courtesy of Walt Whitman House, Camden, NJ)
Marsh shares his affection for Walt Whitman in this gentle, thoughtful consideration of the poet’s relevance to 21st-century America. Beset by moral malaise in his 30s, the author ‘suffered from fully-grown doubts, not just growing doubts, about the meaning of life and the purpose of our country.’ Whitman’s insights on death, money, sex and democracy buoyed his spirits…. Marsh confesses his love for the legendary poet, and by the end of this insightful homage, readers are likely to feel the same.
Marsh rises to the challenge of surveying the broad banks of Whitman’s work…. Prophetic, timely, and not nearly as impractical as he may sometimes seem (though just as flighty), Whitman is to Marsh just as much a poet for his time as for ours—though we have the benefit of hindsight to adopt the wisdom of his foresight.
In Walt We Trust is one of the most engaged and engaging books on Whitman that I’ve read in many years. Marsh offers us a kind of autobiography of his years of reading Whitman, revealing at every turn just why it is that Whitman matters—why, in fact, reading him is a matter of life and death. Marsh takes us on a cultural journey from Jimmy Carter’s ‘malaise’ speech to the Occupy movement to a trip across the East River on the recently reopened Brooklyn ferry to a strip club in Pennsylvania to a drive through beleaguered Camden, New Jersey, and at each stop we are brought back to Whitman’s poetry in surprising, moving, and revelatory ways. Once every generation or so, we need a book like this one to remind us why, in the twenty-first century, it is still so essential to keep Whitman close at hand.
A beautiful, moving, and original book about our nation’s greatest poet.
As soon as I read John Marsh’s claim early in this fine new book of popular criticism, that in reading Whitman he learned how to die, I became his appreciative audience. Marsh does not buy into the mushy transcendental side of Whitman’s notion that death avails not, but looks to the poet’s views on ownership and property to understand the transience of life and the meaning of coming face to face with death. Along with his treatment of shame and shamelessness in Whitman’s poetry of the body, the connection of the greed for property and the fear of death is one of several original touches in this personal and engaging book based mainly on close reading of Whitman’s poems and prose works placed alongside reflections on the state of contemporary America. Even if you do not buy into Marsh’s big idea that Whitman can save us all, you will find much to admire in this charming and intelligent book of essays on America’s foremost poet.