The Cuban Revolution cannot disintegrate because it was never made of meringue. Not because it has not been sweet, but because the revolution has also tasted bitter fruits that, to date, we have known how to turn into strengths. | more…
The increasing consolidation of the modern entertainment industry by a small clique of multinational streaming giants is the next step in the “standardization of style” in mass-consumed art. The work of Pier Paolo Pasolini can help remind us of what we’re missing. | more…
A new poem by Marge Piercy. | more…
A new poem by Black Agenda Report poet-in-residence Raymond Nat Turner. | more…
The two Koreas—sharing a language, cultural traditions, history of imperial conquest and war, and interrupted family connections—both have mostly succeeded in controlling the pandemic, within different political-economic systems and with markedly different methods. | more…
In 1970, the French left-wing filmmaker Chris Marker made a twenty-minute documentary about the French left-wing publisher François Maspero. Fleetingly, we catch a glimpse of two publications pinned side by side on one wall, seemingly granted special placement: a copy of The Black Panther newspaper and a Monthly Review. Hardly surprising is this prominence: Maspero’s relationship with Monthly Review was always fraternal, both interfaced with one another, shared lists. Together, they helped define what that New in the Left would mean. | more…
This special issue of Monthly Review is devoted to the New Cold War on China. What has been the view of the Chinese Revolution presented in Monthly Review in the past seven decades? How has it changed over time? As Paul A. Baran observed: “Marx and in particular Lenin being master-tacticians shifted horses and arguments as conditions changed (rightly so, to be sure!)” The question then becomes not the changing views themselves, but how these shifts in perspective reflect changing historical circumstances. | more…
In most mainstream Western media, China is now presented as a threat, a conquering “empire.” Still the global hegemon, the United States is worried about the Chinese rise in strength, and their successive administrations are building the anxiety-provoking image of a China eager to supplant it and steal its leadership of the capitalist world system. | more…
The Chinese diaspora is compelled either to prostrate to an edifying project of assimilation to U.S. liberal democracy, or be branded as illiberal “Red Guards” unfit for serious political discourse. This discursive context has long mobilized overseas Chinese to affirm the universalism of Western liberalism in opposition to a Chinese despotism defined either by dynastic backwardness or communist depravity. Can overseas Chinese speak for themselves in the face of the West’s “hegemonic right to knowledge?” Or will all such speech that challenges U.S. presuppositions of liberal selfhood and Chinese despotism simply be tuned out as illiberal noise? | more…
U.S. sanctions killed tens of thousands of Venezuelans before the recognition of Juan Guaidó as interim president in 2019 led to even more murderous sanctions. The message is that tremendous economic pain will be inflicted on the country until Nicolás Maduro is gone. | more…
Writer, editor, and prison activist Susie Day has written a beautiful, heartrending, and inspiring account of the friendship between Paul Coates and Eddie Conway. Both were born in the late 1940s and grew up in Black communities—Paul in Philadelphia and Eddie in Baltimore. Both were members of the Black Panther Party in the late 1960s and early ’70s, and both were harassed by police for their radical activities as Party members. Eddie was wrongfully convicted of killing a Baltimore policeman and spent forty-four years in prison. Through it all, Paul was his steadfast friend and supporter, as well as partner in their political development and commitment to the liberation of Black people in the United States. | more…
The revival of folk music—music derived from rural southern sources, unamplified, and, to a large extent, comprised of old songs of anonymous origin—was more than just another fad. Folk music encapsulated longings for an idyllic past, for a time before crass commercialism turned music into a commodity, and for relationships between musicians and audiences that were egalitarian and holistic. | more…