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It’s the System Stupid

Structural Crises and the Need for Alternatives to Capitalism

On Thursday, December 13, 2012, The Guardian announced Queen Elizabeth finally received an answer to her question—”Did nobody see this coming?”—about the 2008 financial crisis.… Perhaps she could have also asked three more questions: Does nobody see the suffering and socioeconomic injustices of oligopolistic-finance capitalism? Does no one see that the problems are structural and systemic? And is there no alternative to a system that generates continuous “quadruple crises”—the socioeconomic, political, environmental, and personal/psychological?… The conventional wisdom is “There Is No Alternative,” or TINA. For this reason most Americans simply acquiesce to capitalistic social relations and, like Sisyphus, are resigned to performing eternal tasks while enduring the “endless” quadruple crises generated by a pathological system.… The most extraordinary aspect concerning the absence of an alternative is that it is fallacious. The capitalistic system itself must be transformed. To put it into a slogan: Capitalism Is No Alternative, or CINA. | more…

Rethinking Is Not Demonizing

A Conversation with Cao Zhenglu About His Novel Lessons in Democracy

Cao Zhenglu is a well-known contemporary Chinese realist writer. His stories “Na’er” (“There,” about the tragic experience of a union cadre in a state-owned enterprise undergoing “structural reform”) and “Nihong” (“Neon,” about the life and death of a laid-off woman worker) expose the predicament of Chinese workers in the reform period. His novel Wen cangmang (Asking the Boundless—an allusion to a line from one of Mao’s poems, “I ask, on this boundless land, who rules over man’s destiny”) has a Taiwanese-owned factory in Shenzhen as the central theater, around which different characters struggle to understand and play their roles in the larger context of “investment.” This novel has been celebrated as “the first novel that uses Chinese reality to explain Das Kapital.” His most recent novel, Minzhu ke (Lessons in Democracy [Taipei: Taiwan shehui yanjiu zazhishe, 2013]), initiates a further reflection on the Cultural Revolution. Cao’s novel re-narrates the Cultural Revolution in terms of its historical unfolding—its aims, processes, contradictions, and significance, and links this story with the contemporary problem of China’s path today.

Yesterday Shows Another Day Is Here

Once you were children. If you did not read The Carrot Seed or Harold and the Purple Crayon, probably your children or your friends’ children did. You might have learned internationalism from The Big World and the Little House, or cultural relativism from Who’s Upside Down?, or freethinking and obstinacy from Barnaby. If you did not, it is likely your friends and future comrades did. What you might not have learned is that all these children’s books (and many other progressive favorites) were authored by one or the other or both members of a couple whose left politics inflected their work.… Philip Nel—the editor, with Julia L. Mickenberg, of Tales for Little Rebels: A Collection of Radical Children’s Literature…—has devoted himself to rescuing twentieth-century radical children’s literature and its authors from relative oblivion. | more…

Why Whiteness Is Invisible

Look, a White! [by George Yancy] was written to share a way of looking at records, new ways of bringing attention to what has become the norm, business as usual. Yancy’s objective is to “name whiteness, mark it,” to share a critical view on it.… This book is a much needed, insightful look at the ideological construct of race. Since the invention of scientific racism in the French academy in the early nineteenth century, race has applied to every group but to whites. Thus, whiteness was made into an invisible trait of racist thinking and definitions. | more…

Dispelling Three Decades of ‘Educational Reform’

One of the more remarkable public relations successes of the past two decades can be seen in the way neoliberals, and other supporters of an unfettered market economy, have portrayed their school reform efforts as in the interest of people otherwise excluded from the economy and the political process. A widely viewed film like Waiting for Superman, with its vilification of educators and public schools, suggests that only through the expansion of competition and privatization can the children of black and Latino working-class families be given learning opportunities that will allow them to participate in the American Dream. Thirty years ago, it was progressive educators and policymakers who stood by this constituency, arguing that schools were not fulfilling their social responsibility in providing an equitable education for all children. Now such educators and policymakers are portrayed as the defenders of a status quo that has failed to meet the needs of lower-income and non-white students.… Pauline Lipman’s 2011 volume, The New Political Economy of Urban Education: Neoliberalism, Race, and the Right to the City, with its careful, on-the-ground examination of recent school reform efforts in Chicago, provides a comprehensive and illuminating analysis of how this has happened along with ways to circumvent policy initiatives that are eroding the integrity of an educational system that for a century-and-a-half has been a defining feature of U.S. life and democracy. | more…

Monthly Review Volume 65, Number 2 (June 2013)

July-August 2013 (Volume 65, Number 3)

A Note from Bob McChesney. During my time as coeditor [of MR], communication colleagues would sometimes wonder what I was doing at MR. After all, I was a media scholar, and MR was many things, but it was not a magazine known for its work on communication. I explained the singular importance of the MR tradition, of the work of Sweezy, Magdoff, Leo Huberman, and Paul Baran, in my intellectual and political development. I also explained the importance of the MR work on advertising, monopoly, and technology in developing a radical critique of media and communication. But I had to concede the point, nonetheless.… Imagine my surprise, then, when Foster informed me two years ago that two drafts of a missing chapter of Baran and Sweezy’s magisterial Monopoly Capital (1966) had been discovered in their papers. Not only that, it was a chapter on media and culture. I was shocked, to say the least. Foster provided me with the backstory: it was meant to be the penultimate chapter of the book, but when Baran died in 1964, Sweezy elected to leave it out (after doing additional work on it) as the book was already quite long and there remained unresolved issues with it. | more…

The Cultural Apparatus of Monopoly Capital

An Introduction

The past half-century has been dominated by the rise of media to a commanding position in the social life of most people and nations, to the point where it is banal to regard this as the “information age.” The once-dazzling ascension of television in the 1950s and ’60s now looks like the horse-and-buggy era when one assesses the Internet, smartphones, and the digital revolution. For social theorists of all stripes communication has moved to center stage. And for those on the left, addressing the role of communication in achieving social change and then maintaining popular rule in the face of reactionary backlash is now a primary concern.… political economists of communication, including one of us, identified themselves as in the tradition of radical political economy, but with a sophisticated appreciation of media that had escaped.… [the stellar critique of journalism produced… by Edward S. Herman and Noam Chomsky]. Paul Baran and Paul Sweezy were occasionally held up by political economists of communication as representing the sort of traditional Marxists who underappreciated the importance of media, communication, and culture.… We were never especially impressed by this criticism. To us, Monopoly Capital, and the broader political economy of Baran and Sweezy, far from ignoring communication, provided key elements for a serious study of the subject. [Note: this article was released in three parts: Part 1 | Part 2 | Part 3] | more…

Theses on Advertising

Confronted with a progressive deterioration and an increasing “Americanization” of mass media in Britain, the British Labor Party appointed a Commission under the Chairmanship of Lord Reith the assignment of which is “to consider the role of commercial advertising in present day society and to recommend whether reforms are required; if so, what?” This Advertising Commission solicited oral and written testimony from various workers in that field, submitting to them a questionnaire covering the principal points on which comments were invited. Having also been asked for our reflections on the matter, we prepared the following statement the purpose of which is not so much to answer all the questions posed in the questionnaire, as to present a more or less integrated view on this, most important, subject. | more…

The Quality of Monopoly Capitalist Society: Culture and Communications

This is a hitherto unpublished chapter of Paul A. Baran and Paul M. Sweezy, Monopoly Capital (New York: Monthly Review Press, 1966). The text as published here has been edited and includes notes by John Bellamy Foster. The style conforms to that of their book. Part of the original draft chapter, dealing with mental health, was still incomplete at the time of Baran’s death in 1964, and consequently has not be included in this published version. For the larger intellectual context see the introduction to this issue.

St. Brecht and the Theatrical Stock Exchange

This is an abridged version of an article by the same title published in Review1, launched in 1965 as Monthly Review‘s literary supplement. Eleanor Hakim was the managing editor of Studies on the Left in its first few years. At the time she wrote this article she was teaching at the New School for Social Research in New York City. Her essay dealt with Brecht’s theory of the subversive role of the artist in confronting what he conceived as the “cultural apparatus”and how this affected his theory of epic theater. Hakim was particularly concerned with demonstrating that Brecht’s critical outlook was confirmed by the way that, after his death, the U.S. cultural apparatus (“the theatrical stock exchange” of her title) was manipulating and de-radicalizing his drama. In this context, she drew out the significance of Brecht’s revolutionary humanism.… —Eds.

Communications in Capitalist Society

In no field do the claims of democratic diversity and free political competition which are made on behalf of the “open societies” of advanced capitalism appear to be more valid than in the field of communications—the press, the written word generally, radio, television, the cinema, and the theatre. For in contrast to Communist and other “monolithic” regimes, the means of expression in capitalist countries are not normally monopolized by, and subservient to, the ruling political power. Even where, as is often the case for radio and television, agencies of communication are public institutions, or mixed ones, they are not simply the mouthpieces of the government of the day and exclusively the organs of official policy or opinions; opposition views are also heard and seen.… The importance and value of the freedom and opportunity of expression is not to be underestimated. Yet the notion of pluralist diversity and competitive equilibrium is, here as in every other field, rather superficial and misleading. For the agencies of communication and notably the mass media are, in reality, and the expression of dissident views notwithstanding, a crucial element in the legitimation of capitalist society. Freedom of expression is not thereby rendered meaningless. But that freedom has to be set in the real economic and political context of these societies; and in that context the free expression of ideas and opinions mainly means the free expression of ideas and opinions which are helpful to the prevailing system of power and privilege. | more…