"Roses for Gramsci," excerpted: '“The seeds have been very slow in pushing up small sprouts,” he tells Tatiana, again maybe referring to himself and to the life of a Marxist radical; “an entire series obstinately insists on living an underground life.” Each day, Gramsci says, he’s seized by the temptation to pull at them a little, making them grow a little faster.....'

The latest: 'Gabriel Rockhill —filósofo, profesor, investigador y escritor de origen estadounidense— publicó recientemente un libro que ha captado el interés de muchos. Su título ya deja entrever la complejidad de la trama: “¿Quién pagó a los músicos del marxismo occidental?”....'

The latest from Mohammed Mhawish: "We have to ask ourselves: Do we know Hind? Of course we’ve heard her voice, or maybe have seen the building someone renamed after her at Columbia in her honor — which matters, and which she would have deserved, and which is still not the same as knowing her. But do we know her laughter, the way she moved through a room, what she was afraid of, what she loved, the world she was building inside herself at six years old? We learn none of it from the film. We learn it, if we learn it at all, from the interviews her mother gave on the side, on other people’s platforms. The film that claims her voice does not make space for her life."