How Jazz Survived White Supremacy: Gerald Horne talks to Truthout about “Jazz and Justice”
February 20, 2024
Certainly, being a ‘jazz’ musician in the first decades of the 20th century was probably the most dangerous profession in the arts and, along with coal mining, one of the most dangerous jobs of all. Inhaling cigarette smoke in dank clubs, being plied with alcohol and other controlled substances by unscrupulous bosses of clubs and record labels alike, being attacked violently by racist ‘fans’
