Helena Sheehan, author of the recent The Syriza Wave: Surging and Crashing with the Greek Left, and Sheamus Sweeney, a “recovering academic,” who has written about the representation of Baltimore in the work of David Simon, recently collaborated on an article for Jacobin about how the decade-old TV series, The Wire, was a Marxist’s idea of what TV drama should be….
“Considered by many to be the best television drama series ever, The Wire ran from June 2, 2002, to March 9, 2008. Made and set in Baltimore, it employed a large ensemble cast playing cops, junkies, dealers, lawyers, judges, dockers, prostitutes, prisoners, teachers, students, politicians, and journalists. The dramatis personae ranged widely, not only horizontally but vertically, from the foot soldiers of the drug trade, police department, school system, and newspapers through middle management to the higher executives, showing parallel problems and choices pervading the whole society….”
Read the article at Jacobin