Mao Zedong, The Poems of Mao Zedong, translations, introductions, and notes by Willis Barnstone (Berkeley: University of California Press, 2008); 168 pages; $24.95 hardcover, $15.95 paperback.
What are we to think of Chairman Mao? A man of immense contradictions — a nationalist, communist, revolutionary, warrior, as well as the author of The Little Red Book, and the leader for decades of the Peoples’ Republic of China — he was also one of twentieth-century China’s best poets. A new translation of his work provides an opportunity to evaluate him as a writer and as an artist. A reviewer in The Washington Post called Mao’s poems “political documents,” but added, “it is as literature that they should be considered.” Separating the political from the literary, however, isn’t possible. “We woke a million workers and peasants,” Mao wrote in the First Siege, and though all his lines aren’t as explicit about the Chinese Revolution as it is, a great many of them are. | more…
Danny Boyle’s Slumdog Millionaire (based on Indian diplomat Vikas Swaroop’s novel Q & A) takes the extremely potent idea of a Bombay slum boy tapping into his street knowledge to win a twenty-million-dollar reality quiz show, and turns it into a universal tale of love and human destiny. In the quiz, Jamal is unable to answer questions that test his nationalist knowledge but is surprisingly comfortable with those that mark his familiarity with international trivia. For instance, while he knows that Benjamin Franklin adorns the hundred dollar bill, he has no clue about who adorns the thousand rupee note. This is obviously meant to suggest the irrelevance of the nation to its most marginalized member, but less obviously, also indicates its redundancy under globalized neoliberalism. | more…
Adrienne Rich’s most recent book is Telephone Ringing in the Labyrinth: Poems 2004–2006. A selection of her essays, Arts of the Possible: Essays and Conversations, appeared in 2003. She edited Muriel Rukeyser’s Selected Poems for the Library of America. She is a recipient of the National Book Foundation’s 2006 Medal for Distinguished Contribution to American Letters, among other awards. | more…
Bad times inhibit good writers, but they also inspire them. Just look at the new and recent arrivals in bookstores and libraries. The double-barreled assault on civil liberties and human rights, by the administration of President George Walker Bush, has, if nothing else, spurred an outpouring of books, both fiction and nonfiction, condemning the erosion of American democracy and the perceived drift toward totalitarianism. Jack London—the best-selling twentieth-century American author, who was born in 1876, the year of the American Centenary, and who died in 1916, the year before the United States entered the First World War—would surely not be surprised. In fact, one might well anoint London the founding father of the contemporary body of literature about political repression, including Henry Giroux’s The Emerging Authoritarianism in the United States, Matthew Rothschild’s You Have No Rights, Chris Hedges’s American Fascists, Robert Kennedy Jr.’s Crimes Against Nature, and Philip Roth’s disquieting 2003 novel The Plot Against America. Of course, there are many others that cover much the same terrain. | more…
A companion to Rubinstein’s celebrated study of English literature, American Literature Root and Flower examines the lives and works of over fifty important American novelists, poets, and dramatists. This two-volume study is one of remarkable scope, ranging from Hawthorne to the Harlem Renaissance, from Poe to Pynchon. It illuminates the relationship between the producers of American literature and their ever-changing social and political contexts, while emphasizing the current of critique and resistance that runs through the entire tradition. Monthly Review Press is proud to present the first-ever U.S. printing of this valuable and enlightening work. | more…
A companion to Rubinstein’s celebrated study of English literature, American Literature Root and Flower examines the lives and works of over fifty important American novelists, poets, and dramatists. This two-volume study is one of remarkable scope, ranging from Hawthorne to the Harlem Renaissance, from Poe to Pynchon. It illuminates the relationship between the producers of American literature and their ever-changing social and political contexts, while emphasizing the current of critique and resistance that runs through the entire tradition. Monthly Review Press is proud to present the first-ever U.S. printing of this valuable and enlightening work. | more…
“We, the readers and students of literature, have been hijacked. The literary critics, our teachers, those assassins of culture, have put us up against the wall and held us captive.” So begins Jonah Raskin’s The Mythology of Imperialism. When first published in 1971, this book was nothing short of a call to arms, an open revolt against the literary establishment. In his critique of five well–known British writers—Joseph Conrad, Rudyard Kipling, D. H. Lawrence, E. M. Forster, and Joyce Cary—Raskin not only developed the model for a revolutionary anti–imperialist criticism, but, through this book’s influence on Edward Said, helped usher in the field of postcolonial studies. | more…
Pete Seeger is one of the world’s quintessential activists, having played such an important role in singing the songs and engaging in the struggles of civil rights, free speech, human rights, anti-Vietnam War, environmental, peace, anti-nuclear, and social justice movements. (David Kupfer, “Longtime Passing,” Whole Earth Magazine, 104, 2001, p. 19.) | more…
The Marxian Imagination is a fresh and innovative recasting of Marxist literary theory and a powerful account of the ways class is represented in literary texts. Where earlier theorists have treated class as a fixed identity site, Markels sees class in more dynamic terms, as a process of accumulation involving many, often conflicting, sites of identity. Rather than examining the situations and characters explicitly identified in class terms, this makes it possible to see how racial and gender identities are caught up in the processes of accumulation that define class. Markels shows how a Marxian imagination is at work in a range of great literary works, often written by non-Marxists. | more…
The most prolific U.S. labor muralist since the 1940s, Alewitz follows the traditions of Diego Rivera, José Clemente Orozco, and David Siqueiros as well as the early painters of the Russian Revolution. With a demonstrated blend of artistic integrity and political commitment, Insurgent Images combines grand historical themes with enlivening detail, to illustrate the interplay between personality and event. Alewitz brings to this tradition his own rich sense of irony, humor, and fantasy to illuminate the hidden spaces where connections between the workforce of the U.S. and its extended relatives across the planet are to be found. | more…
Popular culture has been a powerful force in the United States, connecting disparate and even hostile constituencies. The novels of the late eighteenth and early nineteenth centuries, the theater and minstrel shows of the mid-nineteenth century, movies and the introduction of television and computers in the twentieth century are the building blocks that Jim Cullen uses to show how unique and vibrant cultural forms overcame initial resistance and enabled historically marginalized groups to gain access to the fruits of society and recognition from the mainstream. | more…
Peasants, religious heretics, witches, pirates, runaway slaves, prostitutes and pornographers, frequenters of taverns and fraternal society lodge rooms, revolutionaries, blues and jazz musicians, beats, and contemporary youth gangs: those who defied authority, choosing to live dangerously outside the defining cultural dominions of early insurgent and, later, dominant capitalism are what Bryan D. Palmer calls people of the night. | more…
