The publication of socialist books in the United States has always encountered serious institutional obstacles. This can be seen in the enormous hurdles that stood in the way of the successful publication 130 years ago of the English translation of Engels’s The Condition of the Working Class in England (1845)—today recognized as the classic account of the impact of the Industrial Revolution on workers. In 1885 Florence Kelley (-Wischnewetzky), the daughter of William D. Kelley, a U.S. Congressman and supporter of Lincoln, translated Engels’s book into English. Her initial plan was to publish the translation in the United States with the respected publishing firm of G.P. Putnam & Co. However, Putnam declined to publish it on the grounds that the book was outdated…and did not apply to U.S. industrialization, where such conditions of class exploitation were supposedly absent.… It is owing to these difficulties, associated with the U.S. publication of his book, that we have the benefit of some of Engels’s more important comments regarding the problem of publishing socialist works in a capitalist society. | more…
Our friend and comrade Pete Seeger died a year ago this month, on January 27, 2014. Pete was a long-time reader of Monthly Review and, occasionally, a writer for this magazine. Harry Magdoff used to say that when a letter arrived from Pete, nearly always handwritten and often pages long, responding to an article or suggesting a topic to be covered or a book to be reviewed, it would go right home with him, to be pondered, considered, answered, and, especially, enjoyed. Seeger’s communications were never innocuous: he would tell the editors that something MR had published was wrongheaded (or, sometimes, right-headed); he would take an idea, turn it over, and suggest where to go with it. Like his music, Seeger’s letters demanded engagement, participation—and action. He had a special place in the MR family. | more…
Pete Seeger was bigger than life. And like a character in a mythological tale, before long his shoe size will grow to such a degree that he will scale snowy mountains and wade across oceans. He will look over the tops of Redwood trees and when he dips his hand down into the Hudson River, the water up to his elbow, his fingers will reach down to the bottom of the deepest pool and pull up a giraffe and a baby grand and we will forever sing about the magic river.… This mythology will be enjoyed by the living for generations to come. A next generation of troubadours will sing deep into the little faces who, with wide eyes, imagine such a music man. | more…
In the many accolades Pete Seeger received…after his death, there was often something missing—as absent in tributes from admirers who share his revolutionary politics as in those aiming to reclaim him for respectability. That absence is Seeger’s role as an organizer, and, more broadly, the role of music (and other kinds of cultural work) as organizing, which his life exemplifies.… Seeger’s work as an organizer may have been most obvious, its goals most blatant, in the field…. But his work, as a singer, as a song-collector, as a song-teacher, was not any less a labor of organizing in the concert hall. And that’s not exceptional. That…is what makes someone a radical cultural worker. What’s exemplary about Pete Seeger is how damn good at it he was. What we need to pay attention to and learn from is how he did this important work so well. | more…
I attended Camp Woodland, a progressive summer camp in upstate New York, for four summers starting in 1955 when I was ten years old. When Pete died last year, it was my fellow Camp Woodlanders that I most wanted to connect with.… Fortunately, a camp reunion in 2012 had revived many old friendships. “Pete’s music was the soundtrack to our lives,” one former camper reminisced on the camp listserv. “Pete modeled our values and transformed how we lived in the world, just like at camp,” another wrote. | more…
In the late 1950s, Pete Seeger received a letter from his manager, Howie Richmond, begging him to write a new hit song. … [Richmond] believed that “protest songs” were not marketable. Seeger was angry—he had a new song in mind, with words from a poem that he had set to music, and he believed it was, in a deep and significant sense, a song of protest.…. The song, of course, was “Turn! Turn! Turn! (To Everything There Is a Season),” which continues to be performed and recorded by many artists, and most famously became a huge folk-rock hit for The Byrds. It was as though, despite himself, Seeger produced a hit song, even when commercial popularity was the furthest thing from his mind—an example of how inseparably his songwriting talents and political principles were bound together. | more…
Pete Seeger is an environmental advocate who understands the transforming power of immersion in nature. However, his desire to restore his cherished Hudson River posed a monumental challenge in the 1960s. The Hudson River, once so majestic that it inspired the Hudson River School painters, had become a sewer for the communities and commercial industries that populated its shoreline. Seeger’s approach to reversing the degradation of the Hudson River involved a unique form of advocacy and organizing. He envisioned healing the Hudson through immersion. His approach involved bringing people back to the river aboard a 106-foot replica of a Hudson River sloop (a single-masted sailboat), one that resembled the boats that traversed the Hudson in centuries past. By 1969, with Seeger as the driving force behind its creation, the sloop Clearwater was constructed and launched. It still sails today and serves as an inspiring symbol of citizen activism on behalf of the natural environment. | more…
We have now entered a period…when new waves of commodification set in motion in earlier periods are reaching maturity. The new commodities have been generated by drawing into the market even more aspects of life that were previously outside the money economy, or at least that part of it that generates a profit for capitalists. Several such fields of accumulation have now emerged, each with a different method of commodity genesis, forming the basis of new economic sectors and exerting distinctive impacts on daily life, including labor and consumption. They include biology, art and culture, public services, and sociality. | more…
By vocation, Marx was not an economist, or a philosopher, or a sociologist. He was a revolutionary who, being deprived of the opportunity of participating in revolutions in the years after 1848, turned to the detailed analysis of the economic system he wanted to overthrow. Marx never ceased to stress the liberating quality of practical activity; but he himself was compelled by the circumstances of his time to devote most of his life to theoretical work. | more…
