Category: Monthly Review Press /

Author Eve Ottenberg reviews Seth Donnelly’s “The Lie of Global Prosperity”

Author Eve Ottenberg reviews Seth Donnelly’s “The Lie of Global Prosperity”

Neoliberals love to quote the World Bank’s rosy statistics about capitalism lifting hundreds of millions out of poverty. Unfortunately, those statistics are skewed and manipulated to the point of outright prevarication, as Seth Donnelly demonstrates in his book, The Lie of Global Prosperity. He quotes a breathless World Bank press release, ‘soon 90 percent of the world’s population will live on $1.90 a day or more’…

Gerald Horne at DC’s Sankofa Books: Southern Africa and the Roots of Jazz

Gerald Horne at DC’s Sankofa Books: Southern Africa and the Roots of Jazz

On July 5, prolific author Gerald Horne appeared at Sankofa Video, Books & Cafe in Washington, DC to discuss two of his latest books, Jazz and Justice: Racism and the Political Economy of the Music and White Supremacy Confronted: U.S. Imperialism and Anti-Communism vs. the Liberation of Southern Africa from Rhodes to Mandela

New! “Value Chains: The New Economic Imperialism”

New! “Value Chains: The New Economic Imperialism”

Winner of the 2018 Paul M. Sweezy – Paul A. Baran Memorial Award for original work regarding the political economy of imperialism, Intan Suwandi’s Value Chains examines the exploitation of labor in the Global South. Focusing on the issue of labor within global value chains—vast networks of people, tools, and activities needed to deliver goods and services to the market and controlled by multinationals—Suwandi offers a deft empirical analysis of unit labor costs that is closely related to Marx’s own theory of exploitation.

Gerald Horne talks to Black Perspectives about “Jazz and Justice”

Gerald Horne talks to Black Perspectives about “Jazz and Justice”

"I grew up in Jim Crow St. Louis with working class parents with roots in Mississippi. From an early age I recall a guitar in our house, that our father would pluck from time to time. Undoubtedly, my younger brother Marvin Horne—who has played with such giants as percussionists, Chico Hamilton and Elvin Jones, and as part of Aretha Franklin’s band just before she expired—was influenced to pick up this instrument because of its ubiquitous presence in our small house...."