Category: WATCH / LISTEN /

In the public eye: John Bellamy Foster’s “Breaking the Bonds of Fate”

In the public eye: John Bellamy Foster’s “Breaking the Bonds of Fate”

The latest: "Epicurus set up schools, first in Lampsacus (in modern day Turkey), then later in Athens. Other philosophical schools in the city used public space for lectures and attracted young, well educated, aristocratic Greek men. His critique of the ruling classes that dominated these schools that “'Nothing is enough for those for whom enough is too little' is as applicable today as in his age...."
In the public eye: Socialist Register 2026

In the public eye: Socialist Register 2026

June 27th, join the Marxist Education Project for an online launch of Socialist Register 2026, featuring Catarina Principe together with Michael Roberts, Alfredo Saad-Filho, and Stephen Maher.
In the public eye: Andy Merrifield’s “Roses for Gramsci”

In the public eye: Andy Merrifield’s “Roses for Gramsci”

The latest: "....Is 'subaltern' a code for the working classes? Is 'hegemony' an economic force or a cultural power? Are 'organic intellectuals' inherently more progressive? The answers to such questions depend upon your choice of scholar—whether, say, you’re reading a Foucauldian literary critic or a Marxist sociologist, a subaltern historian or a posthuman anthropologist. Over the years, Gramsci’s writing has been polished by critics of such diverse persuasions that it has now become a mirror: One opens his books only to confirm one’s own beliefs....when the English writer Andy Merrifield arrived in Rome, feeling 'washed out intellectually,' Gramsci came to the rescue...."
WATCH: Socialist Register 2026

WATCH: Socialist Register 2026

This was the first live launch of the Socialist Register in New York City, with our brand new editor, Arun Kundnani, alongside the (relatively new) coeditor of the Socialist Register, Steve Maher, joined by three contributors to this year’s volume: Ibrahim Shikaki, Costas Lapavitsas, and Paul Heideman. Together they considered these and other questions:

In the public eye: Contributors to “A Land With A People”

The latest from Mohammed Mhawish: "We have to ask ourselves: Do we know Hind? Of course we’ve heard her voice, or maybe have seen the building someone renamed after her at Columbia in her honor — which matters, and which she would have deserved, and which is still not the same as knowing her. But do we know her laughter, the way she moved through a room, what she was afraid of, what she loved, the world she was building inside herself at six years old? We learn none of it from the film. We learn it, if we learn it at all, from the interviews her mother gave on the side, on other people’s platforms. The film that claims her voice does not make space for her life."