March 1, 2024
"It is surprising," Marnie Holborow writes, "how often in Marxist accounts of women's oppression Frederick Engels is overlooked." In responding to this gap in analysis, Holborow examines his influential work, The Origin of the Family, Private Property and the State, finding his observations on gender roles and social reproduction under capitalism—and their expressions based on class—are not only astute for Engels's time, but very much for ours as well.
March 1, 2024
The recent arrest of Newsclick editor-in-chief Prabir Purkayastha is a chilling development in Indian Prime Minister Narendra Modi's campaign of repression against free media. The current "moral panic" being mobilized against Purkayashta, Sam Popowich notes, represents Modi's attempt to gain popular legitimacy for his Hindutva program and silence dissent.
March 1, 2024
According to most Western commentators, North Korea is an "enigma" plagued by "irrational" leadership, poverty, and pervasive food shortages. Zhun Xu charts the evolution of North Korean industrial agriculture and the country's efforts to feed its population from the Soviet era up until today. What, Xu asks, can we learn from the country's efforts to industrialize its agricultural sector, and what do they tell us about the future of agriculture under socialism?
March 1, 2024
Christian Noakes tells the story of the struggle to liberate jazz from the exploitative, white-controlled music industry in 1950s and beyond. Recounting the seminal events of the movement and backlash from white civil society, Noakes reveals a legacy of Black cultural autonomy and resistance led by such jazz legends as Charles Mingus, Max Roach, Eric Dolphy, Bill Dixon, and others.
March 1, 2024
This lyrical vignette from the recently departed Paul Burkett is the author's final, posthumously published piece for Monthly Review. In it, the eminent ecological economist and jazz musician muses on the nature of creativity, technology, and the corporatization of music—and the struggle to decommodify it, freeing musicians and their craft from the confines of capitalism.
