December 1, 2019
From the mid-1960s to the late 2000s, the number of people locked in U.S. prisons and jails, and forced onto parole or probation, increased from less than eight hundred thousand to more than seven million. From the beginning, this explosive growth, known commonly as mass incarceration, has been about containing, stigmatizing, and exploiting the poorest sectors of the working class. While an important prison reform movement has been underway for many years, private forces have attempted to co-opt this movement and have implemented and profited from alternative forms of mass coercion proliferating throughout society.
November 1, 2019
Marge Piercy is the author of many books of poetry, most recently Made in Detroit.
November 1, 2019
In Bill Fletcher Jr.'s first novel, The Man Who Fell from the Sky, the sleepy Cape Cod town of Osterville has blood on its hands. In this murder mystery, Fletcher digs through layers of racism in Southern Massachusetts to uncover more than the killer's identity. The novel compellingly exposes the racism of society, turning its victims against each other.
October 1, 2019
New issue of Monthly Review! If there is one thing that is clear about the economic situation in the mature capitalist economies, as we write these notes in mid-August 2019, it is that the financial world is increasingly running scared and looking for safe havens, worrying about the storm clouds ahead. There is now little doubt that the world economy is on the verge of a recession after a long sluggish recovery from the Great Financial Crisis of 2007-09. In itself this should not give occasion to surprise. In this instance, however, there lurks a bigger fear, the possibility of a financial Armageddon on the level of the Great Financial Crisis of 2008—or worse.
October 1, 2019
A new poem by Kenneth Salzmann, author of The Last Jazz and Other Poems.
September 1, 2019
In the late 1960s, the North American women's liberation movement was reaching a highpoint of activity, its militancy complemented by a flourishing literature. This was the environment into which Margaret Benston's 1969 Monthly Review essay, "The Political Economy of Women's Liberation," struck like a lightning bolt. At the time, many in the movement were describing women's situation in terms of sociological roles, functions, and structures—reproduction, socialization, psychology, sexuality, and the like. In contrast, Benston proposed an analysis in Marxist terms of women's unpaid labor in the family household. In this way, she definitively shifted the framework for discussion of women's oppression onto the terrain of Marxist political economy.
September 1, 2019
Margaret Benston's "The Political Economy of Women's Liberation" appears as both a return to the past and, at the same time, if not a "watershed," as described by Peter Custers, certainly a new turn. On the one hand, she reiterated the classic Marxist-Leninist argument concerning the precapitalist, premarket character of domestic work. On the other, she so strongly insisted on the importance of this work for the stability and perpetuation of the capitalist system that she not only anticipated some of the theses later argued by theorists in the Wages for Housework Campaign, but often fell into apparent contradictions.
September 1, 2019
Gender is not just about women; it is about the social relationship between men and women and the dialectical, reciprocal, and cultural construction of femininity and masculinity. Recognition of a unique historical experience concerning gender informs the perspectives of African Americans of various political persuasions. This history incorporates a land of origin with certain common principles about gender and family. It also encompasses the African-American experience in the United States where the denial of many "protections" offered by gender roles and indeed sometimes inversion of such roles was a means of maintaining control. Hence asserting the right to assume gender-based roles of husband, father, wife, and mother paradoxically was an act of resistance. The manner in which African-American people have envisioned relationships of gender in light of that history has expressed itself in markedly different forms.
September 1, 2019
Marge Piercy is the author of many books of poetry, most recently Made in Detroit.
May 1, 2019
Monthly Review is now seventy years old, with its first issue appearing in May 1949. In this month's issue, the editors reflect on the legacy of MR, the people who built it, and the ones who keep it going today.
